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Amygdala damage impairs emotion recognition from music

Gosselin, Nathalie and Peretz, Isabelle and Johnsen, Erica and Adolphs, Ralph (2007) Amygdala damage impairs emotion recognition from music. Neuropsychologia, 45 (2). pp. 236-244. ISSN 0028-3932. doi:10.1016/j.neuropsychologia.2006.07.012.

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The role of the amygdala in recognition of danger is well established for visual stimuli such as faces. A similar role in another class of emotionally potent stimuli – music – has been recently suggested by the study of epileptic patients with unilateral resection of the anteromedian part of the temporal lobe [Gosselin, N., Peretz, I., Noulhiane, M., Hasboun, D., Beckett, C., & Baulac, M., et al. (2005). Impaired recognition of scary music following unilateral temporal lobe excision. Brain, 128(Pt 3), 628–640]. The goal of the present study was to assess the specific role of the amygdala in the recognition of fear from music. To this aim, we investigated a rare subject, S.M., who has complete bilateral damage relatively restricted to the amygdala and not encompassing other sectors of the temporal lobe. In Experiment 1, S.M. and four matched controls were asked to rate the intensity of fear, peacefulness, happiness, and sadness from computer-generated instrumental music purposely created to express those emotions. Subjects also rated the arousal and valence of each musical stimulus. An error detection task assessed basic auditory perceptual function. S.M. performed normally in this perceptual task, but was selectively impaired in the recognition of scary and sad music. In contrast, her recognition of happy music was normal. Furthermore, S.M. judged the scary music to be less arousing and the peaceful music less relaxing than did the controls. Overall, the pattern of impairment in S.M. is similar to that previously reported in patients with unilateral anteromedial temporal lobe damage. S.M.'s impaired emotional judgments occur in the face of otherwise intact processing of musical features that are emotionally determinant. The use of tempo and mode cues in distinguishing happy from sad music was also spared in S.M. Thus, the amygdala appears to be necessary for emotional processing of music rather than the perceptual processing itself.

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Adolphs, Ralph0000-0002-8053-9692
Additional Information:© 2006 Elsevier Ltd. Received 23 August 2005, Revised 12 July 2006, Accepted 14 July 2006, Available online 12 September 2006. We are very grateful to Shlomo Bentin and three anonymous reviewers for their insightful and constructive comments. We thank S.M. for her cooperation. This work was supported by a grant from the Natural Science and Engineering Research Council of Canada to Isabelle Peretz, PhD, and by a postgraduate scholarship from the Canadian Fonds de la Recherche en Santé du Québec to Nathalie Gosselin.
Funding AgencyGrant Number
Natural Science and Engineering Research Council of Canada (NSERC)UNSPECIFIED
Fonds de la Recherche en Santé du QuébecUNSPECIFIED
Subject Keywords:Emotion; Music; Amygdala; Fear; Arousal; Valence
Issue or Number:2
Record Number:CaltechAUTHORS:20170208-141809700
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Official Citation:Nathalie Gosselin, Isabelle Peretz, Erica Johnsen, Ralph Adolphs, Amygdala damage impairs emotion recognition from music, Neuropsychologia, Volume 45, Issue 2, 2007, Pages 236-244, ISSN 0028-3932, (//
Usage Policy:No commercial reproduction, distribution, display or performance rights in this work are provided.
ID Code:74166
Deposited By: Tony Diaz
Deposited On:08 Feb 2017 23:54
Last Modified:11 Nov 2021 05:25

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